|Eye of the Illuminati & House of Mordor , Washington D.C.|
“The news isn’t a just a thing, a person, a message. It’s a hallucination pretending to be real, as if a dreamer has suddenly risen and broken through the surface of the ocean, and now he can see the shore and the glittering buildings…and when he reaches the beach, he can walk into the city and actually watch very important people doing very important things all around him…and that’s supposed to be the up-to-the-minute news. But actually, it’s the reverse. The news is the dream, not the awakening.” (The Underground, Jon Rappoport)
Images sent over thousands of miles; well-lit anchors who seem alert to everything of importance taking place in our world; field reporters in far-flung places who pop up and respond instantly to the anchors…
—And, over and over, the same important faces of government leaders (Illuminati) who, day after day, are “struggling to improve our destiny against great odds, against intransigent enemies of progress.”
All this is delivered in the space of a few minutes, each night, like clockwork.
The anchor can twist the truth, burn it, hide it, step on it, reverse it; it doesn’t matter. He performs those actions before he sits in his chair and the cameras roll.
If the US government (MATRIX) hires, supports, and arms terrorists, the news can claim the government is doing everything possible to fight against terrorism—including installing a massive Surveillance State.
In 1927, Carl Jung wrote: “…the dream is the theater where the dreamer is at once scene, actor, prompter, stage manager, author, audience, and critic.”
But in the case of the news, the dream must come from an external place. It must come from a personage (the anchor) stamped with an official imprimatur.
There must be The Voice and it must narrate (invent, fabricate) the dream.